Born Walter Carlos in 1936, she quickly showed an inclination towards music. Wendy Carlos is best-known for her innovations in electronic music, which played a huge role in her film scores. In 2014, eight years after her death, the first ASCAP Shirley Walker Award was conferred for contributions to the diversity of film and television music. Some of her more notable scores include Willard (2003) and the first three films in the Final Destination franchise (2000-2006). While much of her career was spent working in television, she did also write for film. She also wrote music for popular TV series The Love Bug (1997), and Spawn: The Animated Series (1997), as well as the full-length animated film, Batman: Mask of the Phantasm (1993). She wrote music for Batman: The Animated Series (1992-1995), Superman: The Animated Series (1996-2000), The Flash (1990-1991), and Batman Beyond (1999-2001), the last of which earned her a Daytime Emmy Award. He often turned to her to conduct his scores, including the one he wrote for the 1989 Batman film.Īfterwards, she went on to work with Warner Brothers on many of their DC Animated projects. She collaborated with many different composers, but her most notable partnership was with award-winning composer Danny Elfman. In fact, she was just as active as a conductor as she was as a composer. She was also known for orchestrating and conducting her own scores. Despite, or maybe because of this, she is considered a pioneer for women in Hollywood, and was one of the first to receive a solo composer credit for a major Hollywood film. She composed for film and television at a time when very few women were actively working in Hollywood. Shirley Walker was an American composer and conductor, born in Napa, California in 1945. In 2017, she was also awarded a posthumous honorary doctorate from Coventry University for her contributions to electronic music. In 2016, her hometown of Coventry renamed one of its streets “Derbyshire Way” in her honor, and a plaque now hangs outside her former home there. Nevertheless, there have been other attempts to honor her. Even still, many of her other compositions from her time at the Radiophonic Workshop remain uncredited. It wasn’t until the Doctor Who 50 th Anniversary Special in 2013-twelve years after Derbyshire’s death-that she received credit for the theme. Unfortunately, the BBC ignored Ron Grainer’s efforts to credit Derbyshire as a co-composer of the theme. It was considered incredibly innovative for the time and was one of the first completely electronic themes for a TV show. It was also here, in 1963, where she created the now iconic electronic realization of Ron Grainer’s theme for the new BBC television show, Doctor Who. Delia Derbyshire composes using multiple reel-to-reel tape machines in June 1965.
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